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●★ Maurizio Pollini * F. Chopin : Etude Op.10 & Op.25 ★●                                                   ● Etude n.1 in C                                                        ● Etude n.2 in a                                                        ● Etude n.3 in E                                                        ● Etude n.4 in c#                                                        ● Etude n.5 in Gb                                                        ● Etude n.6 in eb                                                        ● Etude n.7 in C                                                        ● Etude n.8 in F                                                        ● Etude n.9 in f                                                        ● Etude n.10 in Ab                                                        ● Etude n.11 in Eb                                                        ● Etude n.12 in c               ■ Maurizio Pollini(1942~) ■                                                                                          ● Maurizio Pollini(January 5. 1942~~Italian Pianist) ● ● Biography and career Pollini was born in Milan to the Italian rationalist architect Gino Pollini. Maurizio studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won both the International Ettore Pozzoli Piano Competition in Seregno (Italy) in 1959 and the International Chopin Piano Competition in Warsaw in 1960. Arthur Rubinstein, who led the jury, declared Pollini the winner of the competition, saying: "that boy can play the piano better than any of us".[1] Soon afterwards, he studied with Arturo Benedetti Michelangeli. Since the mid-1960s, he has given recitals and appeared with major orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974. In 1985, on the occasion of Johann Sebastian Bach's tricentenary, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete piano concertos of Ludwig van Beethoven in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra's Honorary Ring. In 1993-94 he played his first complete Beethoven Piano Sonata cycles in Berlin and Munich and later also in New York, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the "Progetto Pollini", a series of concerts in which old and new works are juxtaposed. An analogous experience was done at Carnegie Hall in 2000-01 with "Perspectives: Maurizio Pollini". ● Recordings His first recordings for Deutsche Grammophon in 1971 included Stravinsky's Three Movements from Petrushka and Prokofiev's Seventh Sonata and is still considered a landmark of twentieth century piano discography. Since then he has been one of Deutsche Grammophon's leading pianists. His recording of Chopin's Etudes, Opp. 10 & 25, also under Deutsche Grammophon, won Pollini international acclaim. In 2002, Deutsche Grammophon released a 13-CD commemorative edition to celebrate the pianist's 60th birthday. ● Repertoire and technique Pollini is especially noted for his performances of Bach, Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono, Karlheinz Stockhausen, Giacomo Manzoni Salvatore Sciarrino and Bruno Maderna. Important modern works have been composed for Pollini, notably Nono's …sofferte onde serene…, Manzoni's Masse: omaggio a Edgard Varèse and Sciarrino's Fifth Sonata. While known for possessing an exceptional technique, Pollini is sometimes accused of emotional conservatism. He has conducted both opera and orchestral music, sometimes leading the orchestra from the keyboard in concertos. ● Awards and recognition In 1996, he received the Ernst von Siemens Music Prize. In 2001, his recording of Beethoven's Diabelli Variations won the Diapason d'or. In 2007, Pollini received the Grammy Award for Best Instrumental Soloist Performance (without orchestra) for his Deutsche Grammophon recording of Chopin nocturnes. He was awarded the Praemium Imperiale in 2010.[2]   ● References ^ Hewett, Ivan (14 September 2010). "Maurizio Pollini: ice-man of the ivories". The Daily Telegraph. Telegraph (London). http://www.telegraph.co.uk/culture/music/classicalmusic/7324088/Maurizio-Pollini-ice-man-of-the-ivories.html. Retrieved 18 September 2010.  ^ "Actress Loren among Japan art prize winners". Agence France-Presse. Google News. 14 September 2010. http://www.google.com/hostednews/afp/article/ALeqM5jYtokv3mES2DA_84SZZPFQaJuRKg. Retrieved 14 September 2010.      ● Chopin - Études From Wikipedia, the free encyclopedia Jump to: navigation, search A portion of Étude Op. 25, No. 11 The Études by Frédéric Chopin are three sets of solo studies for the piano, There are twenty-seven overall, comprising two separate collections of twelve, numbered Opus 10 and 25, and a set of three without opus number. ● History ● Composition "In all my life I have never again been able to find such a beautiful melody." -Chopin, on Op. 10, No. 3[1] Chopin's Études are the foundation of a new system of technical piano playing that was radical and revolutionary the first time they appeared. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages.[1] Some are so popular they have been given nicknames; arguably the most popular of all is the Revolutionary Étude (Op. 10, No. 12). Although no nicknames are of Chopin's original creation, they create interesting pretext and encourage the imagination to fabricate epic works embodied by these studies.[1] All twenty-seven Études were published during Chopin's lifetime. Opus 10, the first group of twelve, were composed between 1829 and 1832, and were published in 1833, in France, Germany, and England. The twelve Études of Opus 25 were composed at various times between 1832 and 1836, and were published in the same countries in 1837. The final three, part of a series called "Méthode des méthodes de piano" compiled by Moscheles and Fétis, were composed in 1839, without an assigned opus number. They appeared in Germany and France in November 1840, and England in January 1841.[1] Accompanying copies of these important early editions, there are usually several manuscripts of a single Étude in Chopin's own hand, and additional copies made by his close friend, Jules Fontana, along with editions of Carl Mikuli, Chopin's student.[1] The first Études of the Opus 10 set were written when Chopin was still in his teens. They rank alongside the early works of Mendelssohn as rare examples of extremely youthful compositions that are regarded as both innovative and worthy of inclusion in the standard canon. Chopin's Études elevated the musical form from purely utilitarian exercises to great artistic masterpieces.[2] At a concert in which Chopin performed his opus 25, Robert Schumann said "À la Chopin".[2] ● Impact Although sets of exercises for piano had been common from the end of the 18th century ( Muzio Clementi. J. B. Cramer, Ignaz Moscheles, and Carl Czerny were composers of the most significant), Chopin's not only presented an entirely new set of technical challenges, but were the first to become a regular part of the concert repertoire. His Études combine musical substance and technical challenge to form a complete artistic form.[3] They are often held in high regard as the product of mastery of combining the two. His effect on contemporaries such as Franz Liszt was apparent, based on the revision Liszt made to his series of concert études after meeting Chopin. Contemporary Polish musicologist Tadeusz A. Zielinski wrote, on opus 10, that "not only did they become an orderly demonstration of a new piano style and the formulas peculiar to it, but also an artistic ennoblement of this style."[4] Chopin's Études are not without modern influence as well. Several have lodged themselves in popular music, movies, or television shows. ● List of Études ● Études Op. 10 The first set of Études was published in 1833 (although some had been written as early as 1829). Chopin was twenty-three years old and already famous as a composer and pianist in the salons of Paris, where he made the acquaintance of Franz Liszt. Subsequently, Chopin dedicated the entire opus to him - "à son ami Franz Liszt" (French, lit. to his [Chopin's] friend Franz Liszt). Name Key Name Key Étude Op. 10, No. 1 C major Étude Op. 10, No. 7 C major Étude Op. 10, No. 2 A minor Étude Op. 10, No. 8 F major Étude Op. 10, No. 3 E major Étude Op. 10, No. 9 F minor Étude Op. 10, No. 4 C-sharp minor Étude Op. 10, No. 10 A-flat major Étude Op. 10, No. 5 G-flat major Étude Op. 10, No. 11 E-flat major Étude Op. 10, No. 6 E-flat minor Étude Op. 10, No. 12 C minor ● Études Op. 25   Chopin's second set of Études was published in 1837, and dedicated to Franz Liszt's mistress, Marie d'Agoult, the reasons for which are a matter of speculation. Name Key Name Key Étude Op. 25, No. 1 A-flat major Étude Op. 25, No. 7 C-sharp minor Étude Op. 25, No. 2 F minor Étude Op. 25, No. 8 D-flat major Étude Op. 25, No. 3 F major Étude Op. 25, No. 9 G-flat major Étude Op. 25, No. 4 A minor Étude Op. 25, No. 10 B minor Étude Op. 25, No. 5 E minor Étude Op. 25, No. 11 A minor Étude Op. 25, No. 6 G-sharp minor Étude Op. 25, No. 12 C minor ● Trois nouvelles études Trois nouvelles études were written as a contribution to Méthode des méthodes de piano, a piano instruction book by Ignaz Moscheles and François-Joseph Fétis, and were not given a separate Opus number. While less technically brilliant than those of Op. 10 and Op. 25, these three études nevertheless retain Chopin's original formula for harmonic and structural balance. Name Key Étude No. 1 F minor Étude No. 2 A-flat major Étude No. 3 D-flat major                                                      ■ From WIKIPEDIA ■