Bonne Année~* ♡

●★ Ludwig von Beethoven:Symphony N. 6 in F Major Op.68「Pastoral」★●                                        ● Allegro ma non troppo                                    ● Andante molto mosso                                    ● Allegro                                    ● Allegro                                    ● Allegretto                                      Herbert von Karajan(Cond.)                                                                                                           Lv. Beethoven(1770 12.17~~1827 3.26) : 교향곡 6번 F장조 Op.68「전원(Pastorale)」베토벤 걸작중의 한 곡으로 베토벤 나이 38세때 1808년 작품이다. 그해 12월 22일 빈의 테어안빈 극장에서 초연되었다. 베토벤은 빈 근교에 있는 하일리겐슈타트에서 귓병으로 1802년에 요양한 바있는데 병에 자신을 잃어 절망한 나머지 비통한 유서를 쓴 일이 있다. 1808년 여름 그는 다시 이곳에서 정양했는데 그 때 자연에서 받은 감명을 작품에 담은 것이 바로 전원(田園)교향곡이다. 베토벤 자신이 이작품을 특징있는 교향곡, 전원생활의 회상이라 이름하였다. 그리고 이곡을 듣는 사람은 각자의 입장에서 생각하지 아노으면 안된다고 기록되었다. 다시 말해서 이러한 해석은 듣는 사람의 자유에 맡기게 했고 어떤 제한을 두지 않았다.그러기에 이 작품은 일종의 회화라기보다는 오히려 감정의 표현이라는 단정을 내리게 되었다. 베토벤 그는 자연을 즐겨했으며 그가 귓병으로 고생했을 때는 자연을 사람보다 더 사랑한다고 까지 했다고 전해진다. 이 6번 교향곡(파스토랄)은 5번 교향곡(운명)과 같이 로프코비츠 공작과 라주모프스키 백작에게 헌정되었다.   베토벤 교향곡 6번 <전원>은 교향곡 9곡 중 가장 아름다운 명작으로 특히 음악평론가로서 가장 선호하는 베토벤 명곡이기도하다. 1악장 - 알레그로 마 논 트로포, <시골에 도착했을때의 유쾌한 감정> 2악장은 안단테 몰토 모소, 시냇가에서 자연을 묘사한 가장 아름다운 놀랄만한 관현악 표현으로 대단히 아름다운 관현악적 음향으로 평가된다. 3악장은 알레그로, 시골사람들의 즐거운 모임이라는 표제로 축제일에 마을 사람들의 즐거운 모임을 그리고있다. 4악장은 알레그로, 폭풍우와 우뢰라는 표제인데 팀파니 피콜로 트롬본 등으로 폭풍의 묘사가 효과적이다. 5악장은 알레그로, 양치는 사람의 노래, 폭풍우가 지난 후의 감사 멀리서 양치는 목동들의 피리 소리가 들려오는데 폭풍우가 지난 뒤의 볼수있는 전원 풍경이다.      2015년 새해를 맞아 신년 - 새봄을 축하하는 의미로 베토벤 교향곡 6번 전원을 축하 음악으로 선택했습니다 특히 1악장(알레그로 마논 트로포) - 시골에 도착했을 때 유쾌한 감정, 에서 아름다운 자연의 생동하는 전경, 전원적인 새해, 신년의 이미지를 느껴볼 수 있습니다. 연주는 가장 스텐다드한 명연아라할 수 있는 헤르베르트 본 카라얀 지휘, 비엔나필하모니 연주입니다. 여러분 새해 복 많이많이 받으세요~*  Bonne Année~~♡                                                                                                                                                          ● Beethoven : Symphony No.6 in F                     『Pastorale』     "Pastoral Symphony" redirects here. For other uses, see Pastoral Symphony (disambiguation).     Part of a sketch by Beethoven for his Symphony No. 6     The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German Pastoral-Sinfonie[1]), is a symphony composed by Ludwig van Beethoven, and completed in 1808. one of Beethoven's few works containing explicitly programmatic content,[2] the symphony was first performed in the Theater an der Wien on 22 December 1808[3] in a four hour concert.[4]     ● Background Portrait of Beethoven in 1804, when he had been working on the Sixth Symphony for two years. Beethoven was a lover of nature who spent a great deal of his time on walks in the country. He frequently left Vienna to work in rural locations. The first sketches of the Pastoral Symphony appeared in 1802. It was composed simultaneously with Beethoven's more famous—and more fiery—Fifth Symphony. Both symphonies were premiered in a long and under-rehearsed concert in the Theater an der Wien in Vienna on 22 December 1808. The composer said that the Sixth Symphony is "more the ｅxpression of feeling than painting",[5] a point underlined by the title of the first movement. ● Instrumentation The symphony is scored for piccolo (fourth movement only), 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons, 2 horns in F and B flat, 2 trumpets in C and E flat (third, fourth, and fifth movements only), 2 trombones (alto and tenor, fourth and fifth movements only), timpani (fourth movement only), and strings. ● Form The symphony has five movements, rather than the four typical of symphonies of the Classical era. Beethoven annotated the beginning of each movement as follows: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of cheerful feelings upon arrival in the countryside): Allegro ma non troppo Szene am Bach (Scene by the brook): Andante molto mosso Lustiges Zusammensein der Landleute (Merry gathering of country folk): Allegro Gewitter, Sturm (Thunder. Storm): Allegro Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Shepherd's song; cheerful and thankful feelings after the storm): Allegretto The third movement ends on an imperfect cadence that leads straight into the fourth; the fourth movement leads straight into the fifth without a pause. A performance of the work lasts about 40 minutes. ● Description of movements Beethoven wrote a short descriptive note at the head of each movement. ● I. Allegro ma non troppo 'Awakening of cheerful feelings on arrival in the countryside.' The symphony begins with a placid and cheerful movement depicting the composer's feelings as he arrives in the country. The movement, in 2/4 meter, is in sonata form, and its motifs are extensively developed. At several points Beethoven builds up orchestral texture by multiple repetitions of very short motifs. Yvonne Frindle commented,[6] "the infinite repetition of pattern in nature [is] conveyed through rhythmic cells, its immensity through sustained pure harmonies." ● II. Andante molto mosso 'Scene by the brook.' This movement, titled by Beethoven "By the brook," is in 12/8 meter; the key is B flat major, the subdominant of the main key of the work. The movement is in sonata form. At the opening the strings play a motif that clearly imitates flowing water. The cello section is divided, with just two players playing the flowing-water notes on muted instruments, with the remaining cellos playing mostly pizzicato notes together with the double basses. The cadenza of bird calls in the second movement; the intended species are labeled in German. Click to enlarge. Toward the end of the movement there is a cadenza for woodwind instruments that imitates bird calls. Beethoven helpfully identified the bird species in the score: nightingale (flute), quail (oboe), and cuckoo (two clarinets). ● III. Allegro 'Merry gathering of country folk.' This is a scherzo in 3/4 time, which depicts country folk dancing and reveling. It is in F major, returning to the main key of the symphony. The form of the movement is an altered version of the usual form for scherzi, in that the trio appears twice rather than just once, and the third appearance of the scherzo theme is truncated. Perhaps to accommodate this rather spacious arrangement, Beethoven did not mark the usual internal repeats of the scherzo and the trio. Theodor Adorno identifies this scherzo as the model for the scherzos by Anton Bruckner.[7] The final return of the theme conveys a riotous atmosphere with a faster tempo. The movement ends abruptly, leading without a pause into the fourth movement. ● IV. Allegro 'Thunder. Storm.' The fourth movement, in F minor, depicts a violent thunderstorm with painstaking realism, building from just a few drops of rain to a great climax with thunder, lightning, high winds, and sheets of rain. The storm eventually passes, with an occasional peal of thunder still heard in the distance. There is a seamless transition into the final movement. This movement parallels Mozart's procedure in his String Quintet in G minor K. 516 of (1787), which likewise prefaces a serene final movement with a long, emotionally stormy introduction.[8] ● V. Allegretto 'Shepherd's song. Happy and thankful feelings after the storm.' The finale is in F major and is in 6/8 time. The movement is written in sonata rondo form, meaning that the main theme appears in the tonic key at the beginning of the development as well as the exposition and the recapitulation. Like many classical finales, this movement emphasizes a symmetrical eight-bar theme, in this case representing the shepherds' song of thanksgiving. The coda starts quietly and gradually builds to an ecstatic culmination for the full orchestra (minus "storm instruments"), with the first violins playing very rapid triplet tremolo on a high F. There follows a fervent passage suggestive of prayer, marked by Beethoven "pianissimo, sotto voce"; most conductors slow the tempo for this passage. After a brief period of afterglow, the work ends with two emphatic F major chords.     From Wikipedia, the free encyclopedia