Haydn : Sonata N.1 Hob.XVI-8/Arthur Balsam

●★ Josef Haydn : Piano Sonata n.1 in G Major Hob.XVI - 8 ★●                                              Allegro                                            Minuette                                            Andante                                            Allegro                                    ((Perfomed by Arthur Balsam))               ● Josef Haydn : Piano Sonata N.1 in G Hob.XVI 8 요즘 미뉴엣♡ 렉처콘서트에선 '봄-봄 노래'관련             프로그램을 진행하고 있는데요~ 하이든의 음형은 봄의 이미지를 내재론을 잠시 언급한 바 있습니다             그런데 이번에 이화 학당에서 독일의 음악학권위자 석학,[Petra Weber]교수 초빙 특강이 있었습니다            '하이든 또는 음악에서의 고전' 이라는 주제특강이 2일간 있었는데 하이든의 기존의 고정관념에 대해             여러가지 의미있는 시간이었습니다. 석학- 페트라 웨버교수 강의에소개된 자료음악이 하이든 소나타             1번이었습니다 아주 깜찍한귀여운 하이든음악성을 재발견하는 시간으로 고전주의를 작곡에서 실행한             고전주의 리더로서 고전주의 대작곡가라는 분명한 시각입니다. 그 교수가 직접연주로들려주는 하이든             소나타 1번이 어찌나 예쁘게 들리는지 여러분께 꼭 소개하고자 얼른 음원을 찾아보았습니다. 다행히             아주 좋은 음원자료를구했는데 1968년 LP 녹음된 Arthur Balsam 연주, Victor Recording 명반입니다.             하이든 피아노소나타 n.1~7, 7곡이 수록되어있고 한곡 러닝타임이 5분여 정도되는 짧고 예쁜곡입니다             재미있는것은 그렇게짧은 소나타에 4개의 악상기호 Allegro - Minuette - Andante - Allegro 존재한다             는거죠 그리고 음악평론가, 미뉴엣 연구자로서 그짧고 예쁜 소나타에 꼭 미뉴엣 - minuette이 등장             한다는 사실이죠~ 중요한 것은 음악평론가 여세실 미뉴엣♡ 연구에 의하면 minuette이라는 춤곡형태             악상기호를 작곡 구성요소로 가장 많이 적용한 작곡가가 [하이든]입니다. 주로 교향곡 작품에서 많이              적용한 바 있는데 피아노 소나타에선 교향곡 만큼은 아니라 생각했는데 7곡의 짧은소나타에 minuette              미뉴엣이 고정적으로 등장하고 있습니다. 그것은 그야말로 놀랍고도 재미있는 하이든적인 음악성으로              하이든 작품성에 내재된 미학적인 DNA가 아닌가합니다.               2013/03/21 18:42:16                                                               ■ Artur Balsam(1906~1994 Polish) ■    ● Artur Balsam (February 8, 1906 in Warsaw, Poland[1] – September 1, 1994 in New York) was a Polish-born American classical pianist and pedagogue.   ● Biography He studied in Łódź, making his debut there at the age of 12 then enrolled at the Berlin Hochschule fur Musik. In 1930 he obtained the prestigious Mendelssohn Prize. In 1932 he made a tour of the United States with Yehudi Menuhin. With the rise of the Nazis, Balsam settled in America, where he became a celebrated accompanist to well-known artists, including Henri Temianka, with whom he performed twice in 1945 at Carnegie Hall. He also played much chamber music and gave occasional solo recitals. He served on the faculties of the Eastman School of Music, Boston University, and the Manhattan School of Music. He died of pneumonia at Mount Sinai Hospital in Manhattan at the age of 88. His wife, Ruth Rosalie, served as President of the Artur Balsam Foundation for Chamber Music. She died less than five years later, on April 9, 1999.   ● References ^ "Balsam, Artur". Who Was Who in America : with World Notables, v. XI (1993-1996). New Providence, N.J.: Marquis Who's Who. 1996. p. 13. ISBN 0837902258. Slonimsky, Nicolas; Laura Diane Kuhn; Dennis McIntire (1997). Baker's Biographical Dictionary of Twentieth-Century Classical Musicians. New York: Schirmer Books. ISBN 978-0-02-871271-0. "Artur Balsam, a Pianist Known For Chamber Work, Dies at 88", Allan Kozinn, The New York Times, September 2, 1994. [1] "Paid Notice: Deaths BALSAM, RUTH ROSALIE", The New York Times, April 9, 1999. [2]   ● List of solo piano compositions    by Joseph Haydn     This is a list of solo piano pieces by Joseph Haydn ● Piano sonatas Two numbering schemes for the sonatas are commonly used. Here, the pieces are sorted using the numbering method proposed by Christa Landon,[1] while the "Hob. XVI" specification will refer to its index in the Hoboken catalogue.   Landon Hob. XVI Key Date Notes 1 088 G major 1766 2 077 C major 1766 3 099 F major 1766 4 00G1G1 G major 5 1111 G major 1767 6 1010 C major 1767 7 00D1D1 D major 8 055 A major 1763 9 044 D major 1760 10 011 C major 1760 11 022 B-flat major 1760 12 1212 A major 1767 13 066 G major 1766 14 033 C major 1760 15 1313 E major 1767 16 1414 D major 1767 17 00 E-flat major 18 00 E-flat major 19 4747 E minor 1765–67 Different version of L. 57. 20 1818 B-flat major 1767 21 02a2a D minor Lost 22 02b2b A major Lost 23 02c2c B major Lost 24 02d2d B-flat major Lost 25 02e2e E minor Lost 26 02g2g C major Lost 27 02h2h A major Lost 1515 C major Doubtful; arrangement of the Divertimento in C, Hob. II/11. 1616 E-flat major Doubtful. 1717 B-flat major Doubtful; probably by J. G. Schwanenberg. 28 05a5a D major Incomplete 29 4545 E-flat major 1765–67 30 1919 D major 1767 31 4646 A-flat major 1765–67 32 4444 G minor 1765–67 33 2020 C minor 1777 34 3333 D major 1784 35 4343 A-flat major 1783 36 2121 C major 1773 37 2222 E major 1773 38 2323 F major 1773 39 2424 D major 1773 40 2525 E-flat major 1773 41 2626 A major 1773 42 2727 G major 1774–76 43 2828 E-flat major 1774–76 44 2929 F major 1774–76 45 3030 A major 1774–76 46 3131 E major 1774–76 47 3232 B minor 1774–76 48 3535 C major 1780 49 3636 C-sharp minor 1780 50 3737 D major 1780 51 3838 E-flat major 1780 52 3939 G major 1780 53 3434 E minor 1774–76 54 4040 G major 1784 55 4141 B-flat major 1784 56 4242 D major 1784 57 4747 F major 1784 Different version of L. 19. 58 4848 C major 1789 59 4949 E-flat major 1789 60 5050 C major 1794 61 5151 D major 1794 62 5252 E-flat major   1794         ● Piano pieces   These works are in Category XVII of the Hoboken catalogue. Air in G Capriccio in G major on "Acht Sauschneider müssen sein", Hob. XVII/1 Twenty Variations in G major, Hob. XVII/2 Arietta con 12 Variazioni, Hob. XVII/3 Fantasia (Capriccio) in C major, Hob. XVII/4 Variations (6) in C major, Hob. XVII/5 Variations in F minor, Un piccolo divertimento, Hob. XVII/6 Variations (5) in D major, Hob. XVII/7 Variations (8) in D major, Hob. XVII/8 Adagio in F major, Hob. XVII/9 Allegretto in G major, Hob. XVII/10 Andante in C major, Hob. XVII/11 (doubtful) Andante con variazioni (4) in B-flat major, Hob. XVII/12