Lecture Concert

프란츠 리스트 : 순례의 해

미뉴엣♡ 2015. 7. 8. 19:50

● F. Liszt :『 Annees de Pelerinage 』by Claudio Arrau ●

Les jeux d'eaux à la Villa d'Este

(The Fountains of the Villa d'Este)

■ F. Liszt : Annees de Pelerinage - The Suites ■

((프란츠 리스트 : 순례의 해 - 1년 2년 3년))

● Première année: Suisse

● Deuxième année: Italie

● Troisième année

■ Claudio Arrau(1903~1991) ■

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Claudio Arrau

Claudio Arrau León (February 6, 1903 – June 9, 1991) was a Chilean-American pianist known for his interpretations of a vast repertoire spanning from the baroque to 20th-century composers, especially Beethoven, Schubert, Chopin, Schumann, Liszt, Brahms and Debussy. He is widely considered one of the greatest pianists of the twentieth century.

● Life and early Career

Arrau was born in Chillán, Chile, the son of Carlos Arrau, an ophthalmologist who died when Claudio was only a year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau, a Spanish engineer, was sent to Chile by King Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of the Campbells of Glenorchy, a Scottish noble family.^{[citation
needed]}

Arrau was a child prodigy, giving his first concert at age five. When he was 6 he auditioned in front of several congressmen and President Pedro Montt, who became so impressed as to start arrangements for his future education. At age 8 he was sent on a 10-year long grant from the Chilean government to study in Germany, travelling in the company of his mother and sister Lucrecia. He was admitted at the Stern Conservatory of Berlin where he eventually became a pupil of Martin Krause, who had studied under Franz Liszt. At the age of 11 he could play Liszt's Transcendental Etudes, considered to be one of the most difficult sets of works ever written for the piano, and also Brahms's Paganini Variations. Arrau's first recordings were made on Aeolian Duo-Art player piano music rolls. Krause died after 5 years of teaching Arrau, who at 15 was desolate at the loss of his mentor.

In 1937, Arrau married the mezzo-soprano Ruth Schneider, a German national, and they had three children: Carmen (1938–2006), Mario (1940–1988) and Christopher (1959). In 1941 the Arrau family left Germany and migrated to the United States, where they spent their remaining years. He settled in New York City and adopted dual U.S./Chilean citizenship later on, in 1979.

Arrau was born and raised as a Roman Catholic. By his own admission, he was especially devout in his teenage years, having been encouraged by a French Catholic priest that he liked. He later became an agnostic, having become disgusted with the idea of transubstantiation, which he compared to cannibalism.^{[citation
needed]}

● Tone and approach to music

Many claim that his rich, weighty tone lent his interpretations an authoritative, distinctive voice, some saying it sounded thick and muddy and others praising its rounded tone, saying it sounded as though Arrau were almost playing the organ or "plowing" his "paws" into the "flexible" keyboard. According to American critic Harold C. Schonberg, Arrau always put "a decidedly romantic piano tone in his interpretations".^[1]

Arrau was an intellectual and a deeply reflective interpreter. He read widely while travelling, and despite the lack of any formal education outside of his musical training, he learned English, Italian, German, and French in addition to his native Spanish. He became familiar with Jung's psychology in his twenties.^[2]

Arrau's attitude toward music was very serious. He preached fidelity to the score. Although he often played with slower and more deliberate tempi from his middle age, Arrau had a reputation for being a fabulous virtuoso early in his career. According to Joseph Horowitz in his book Conversations With Arrau (1982), many critics felt that his overall approach became less spontaneous and more reserved and introspective after the death of his mother, whom he was extremely close to. Arrau had isolated himself for two weeks after his mother's death, refusing to perform or to receive comfort from friends.

● Contributions

Numerous pianists studied with Arrau, including Karlrobert Kreiten, Garrick Ohlsson, William Melton, Roberto Bravo, and Roberto Eyzaguirre among others.

Arrau recorded the comprehensive piano music of Schumann. He edited Beethoven's piano sonatas for the Peters Urtext edition and recorded all of them on the Philips label in 1962-1966. He recorded almost all of them once again after 1984. He is also famous for his recordings of Schubert, Chopin, Liszt, Brahms and Debussy, among others.

Notable recordings:

Bach: Goldberg Variations
Beethoven: Piano Concertos (he recorded them three times) & Piano Sonatas
Weber: Piano Sonata No. 1 & Konzertstück, Op. 79
Schubert: Piano Sonata, D. 958 & Klavierstücke, D. 946
Chopin: Nocturnes & Piano Concertos
Schumann: Carnaval & Fantasia in C
Liszt: Sonata in B minor & Transcendental Études
Brahms: Piano Concertos (he recorded them twice) & Piano Sonatas No. 2 and 3
Debussy: Preludes
Schoenberg: Piano Pieces, Op. 11.

At the time of his death at age 88 in Mürzzuschlag, Austria in the midst of a European concert tour, Arrau was working on a recording of the complete works of Bach for keyboard, and had Haydn, Mendelssohn, Reger, Busoni and Boulez's 3rd Sonata in preparation. His remains were interred in his native city of Chillán, Chile.

The Robert Schumann Society established the Arrau Medal in 1991. It has been awarded to András Schiff, Martha Argerich and Murray Perahia.

● Awards and Recognitions

● 1990 : Gold Medal of The Royal Philharmonic Society

● 1998 : La Medalla Teresa Carreño of Venezuela

Honorary Member of The Royal Philharmonic Society

● 1984 : The Highest Distinction Award from the Inter-American Music Council and the Organization of

American States

Doctor Honoris Causa of Universidad de Concepción

Professor Honoris Causa of Universidad de Bío-Bío

● 1983 : The International UNESCO Music Prize

National de la Légion d'honneur of France

National Prize of Art of Chile

First Honorary Member of The Robert Schumann Society

Doctor Honoris Causa of University of Oxford

Commandatore da Accademia Nazionale di Santa Cecilia

Knighthood from the Order of Malta

Beethoven Medal of New York

Philadelphia Bowl of Philadelphia

● 1982 : La Orden del Águila Azteca of Mexico

● 1980 : Hans von Bülow Medal of the Berlin Philharmonic Orchestra

● 1970 : Großes Bundesverdienstkreuz of the Federal Republic of Germany

● 1968 : Homage from the Berlin Philharmonic Orchestra. Kurt Westphal, on behalf of the orchestra,

calle d him "heir to the throne of Gieseking and Busoni".

● 1965 : Chevalier of Ordre des Arts et des Lettres of France

Presented with 'The Mask of Chopin' & Chopin's manuscripts

● 1959 : Santiago's Honorary Citizen

Concepción's Honorary Citizen and City Gold Medal

Hijo Benemérito de Chillán

Chillán's hitherto Lumaco Street was named after Claudio Arrau

● 1958 : The Medal of The Royal Philharmonic Society

● 1949 : Hijo Predilecto de México

Doctor Honoris Causa of University of Chile

● 1941 : Hijo Ilustre de Chillán

● 1927 : Winner of the Grand Prix of the Concours International des Pianistes Geneva. The jury was

composed by Arthur Rubinstein, Joseph Pembauer, Ernest Schelling, Alfred Cortot and

José Viannad a Motta.^[3] Cortot exclaimed: "Cela c'est un pianiste. C'est merveilleux"

● 1925 : Honour Prize of the Stern Conservatory, becoming Professor

● 1919 & 1920 : Liszt Prize (after 45 years without a first place winner)

● 1918 : Schulhoff Prize

End of studies at the Stern Conservatory, receiving an "Exceptional Diploma"

● 1917 : Sachsen-Gothaische Medaille

● 1916 : Grant of the Stern Conservatory

● 1915 : First Prize in the Rudolph Ibach Competition (he was the only participating boy)

Gustav Holländer Medal for young artists

● 1911 : Grant of the Chilean Congress for musical studies in Berlin

● Album Prizes

Deutscher Schallplattenpreis:

Brahms 2 Piano Concertos with Carlo Maria Giulini and Philharmonia Orchestra [EMI Recorded in 1960 & 1962]

Beethoven 5 Piano Concertos with Bernard Haitink and Concertgebouw Orchestra [Philips Recorded in 1964]

Schumann Sonate Op.11, Fantasiestücke Op.111 [Philips Recorded in 1967 & 1968]

Brahms 2 Piano Concertos with Bernard Haitink and Concertgebouw Orchestra [Philips Recorded in 1969]

Liszt Record Grand Prix:

Liszt Complete Concert Paraphrases on Operas by Verdi [Philips Recorded in 1971]

Liszt 12 Etudes d'exécution Transcendente [Philips Recorded in 1974 & 1976]

Liszt 2 Piano Concertos with Sir Colin Davis and London Symphony Orchestra [Philips Recorded in 1979]

Diapason d'Or:

Chopin Complete Nocturnes [Philips Recorded in 1977 & 1978]

Chopin Complete Etudes [EMI Recorded in 1956, Remastered in 1987]

Grand Prix du Disque:

Chopin Complete Etudes [EMI Recorded in 1956, Remastered in 1987]

Schumann Piano Concerto, Carnaval & Beethoven Sonata Op.111 [EMI Filmed in 1963, 1961 & 1970]

Edison Award:

Liszt Solo Piano Works: Ballade No.2, Jeux d'eaux à la villa d'Este, Vallée d'Obermann…… [Philips Recorded in 1969]

Belgium Caecilia Award:

Schumann Comprehensive Solo Piano Works [Philips Recorded from 1966 to 1976]

Japan Record Academy Award:

Beethoven 5 Piano Concertos with Sir Colin Davis and Staatskapelle Dresden [Philips Recorded in 1984 & 1987]

FFFF de Télérama:

Chopin Complete Etudes [EMI Recorded in 1956, Remastered in 1987]

Warsaw Chopin Society's Grand Prix du Disque Frédéric Chopin:

Chopin Complete Etudes [EMI Recorded in 1956, Remastered in 1987

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■ Années de pèlerinage - Liszt ■

((F. Liszt :『Annees de Pelerinage』순례의 해))

Années de pèlerinage (Years of Pilgrimage) (S.160, S.161, S.163) is a set of three suites by Franz Liszt for solo piano. Liszt's complete musical style is evident in this masterwork, which ranges from virtuosic fireworks to sincerely moving emotional statements. His musical maturity can be seen evolving through his experience and travel. The third volume is especially notable as an example of his later style. It was composed well after the first two volumes and displays less showy virtuosity and more harmonic experimentation.

The title Années de pèlerinage refers to Goethe's famous novel of self-realization, Wilhelm Meister's Apprenticeship. Liszt clearly places the work in line with the Romantic literature of his time, prefacing most pieces with a literary passage from writers such as Schiller, Byron or Senancour, and, in an introduction to the entire work, writing, "Having recently travelled to many new countries, through different settings and places consecrated by history and poetry; having felt that the phenomena of nature and their attendant sights did not pass before my eyes as pointless images but stirred deep emotions in my soul, and that between us a vague but immediate relationship had established itself, an undefined but real rapport, an inexplicable but undeniable communication, I have tried to portray in music a few of my strongest sensations and most lively impressions."^[1]